For a writer, the answer is simple. Quite a lot. A name means so much more than a label to indicate who's talking. The name part of the writing process takes me longer than the pre-planning. Okay, a bit misleading. I write a few beat sheets that may or may not have characters with names … Continue reading What’s in a Name?
writing tips
The Story Process Posts – Again
The original posts are still in place, but I'm replacing the full output here (sans the final try at a first scene). This new version is slightly better laid out, in my view, but if you'd like to see it done another way, let me know. Cheers. First, an intro: This is what I do … Continue reading The Story Process Posts – Again
Conflict, suspense, and tension
(Okay, let's just pretend it's Friday and I'm doing my weekly update on the subject that came up several weeks ago) (The pic comes from Fandango and his Flash Fiction Challenge, except I'm not writing fiction -- or am I?) photo from Nicolae_Balt at Pixabay.com. Conflict: See that balloon? The conflict comes from the character … Continue reading Conflict, suspense, and tension
How to get to the Starting Point
And it's not because I forgot it was Friday again. It's about stories. Where the open lies, where the build happens, how it all crashes together to form an ending. I use a couple of methods to get the shape of the story. The first thing I do is a paragraph about the idea. A … Continue reading How to get to the Starting Point
The Big Summary
There's this little wordage thrown around that goes something along the lines of Show, Don't Tell. And it's good advice. Except when it isn't. There are times when a bit of summarising is a good thing. "Two weeks later and she'd found nothing to indicate his history." That's a good summary unless something very important … Continue reading The Big Summary
Where to start?
It's a story thing. When does the story start? Is it with a big bang moment, or an introduction to the normal life? None of the above, is what I'd say. Why? I read a lot of stories that open with a big moment, or a deep character moment, and after a page or two, … Continue reading Where to start?
What do I see?
Stories are set somewhere. It's either background or part of the story in how it interacts with those who travel therein, or the character interacts with it in some way. We do not exist in white space. And yet I read stories where it's completely missing. There is nothing to visualise or imagine, no hint … Continue reading What do I see?
Easy-to-Understand Fiction paragraphing
When writing essays and non-fiction, there are rules for what a paragraph is, what it does, what is presented for the beginning, middle and end (sounds a bit familiar, I'm thinking). In fiction, however, it seems the same rules don't work. They must not, or I wouldn't be reading (or trying to read) a story … Continue reading Easy-to-Understand Fiction paragraphing
Being True to Character
In a professional sense, this time. Something I've noticed recently is the lack of professional attitude in story characters. It's disappointing, even if I understand how much work goes into the story. The character can't be identifiable by a reader as a fraud, out of place/time, or using the wrong objects/words. A priest doesn't walk … Continue reading Being True to Character
The Word-Witch
Or Wicked Witch. Whatever. I'm the witch. It's not a compliment, I'm sure of that. Picky, pedantic, pushy. A few other words. Why? Some people get offended when I give them a critique of their work. Maybe I'm not as nice as I could be, maybe I don't want to lay on the sugar, but … Continue reading The Word-Witch
Cage Dunn - Writer/Author 
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